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Image 1 of 1
Image 1 of 1
Image 1 of 1
The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
The white tickets are cut in two to form narrow rectangles that are arranged horizontally in a dynamic movement from the center to the edges of the composition, layered relief building into a circle divided by a single vertical line. Subtle traces of colour from the original tickets surface through the white, creating a serene, contemplative work in which the rectangular form dissolves into light and texture.
The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
The white tickets are cut in two to form narrow rectangles that are arranged horizontally in a dynamic movement from the center to the edges of the composition, layered relief building into a circle divided by a single vertical line. Subtle traces of colour from the original tickets surface through the white, creating a serene, contemplative work in which the rectangular form dissolves into light and texture.
