Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
In this composition, the tickets are arranged in an irregular vertical rhythm, relating to the end of the paper metro ticket seen as a metaphor of the end of all things. From left to right, in a subtle progression towards fading, the tickets are reduced and thinned down to nearly nothing, still leaving here and there a few traces of the original inscriptions.
The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
In this composition, the tickets are arranged in an irregular vertical rhythm, relating to the end of the paper metro ticket seen as a metaphor of the end of all things. From left to right, in a subtle progression towards fading, the tickets are reduced and thinned down to nearly nothing, still leaving here and there a few traces of the original inscriptions.
