The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
Tickets dyed in nuances of lapis-lazuli blue are arranged in a strictly regular rhythm, like tiles or bricks on a wall, the magnetic strip being partly masked by elements in relief. The composition made of the addition of identical rectangles reveals the structural dynamism brought about by repetition, while the variations in tone evoke water and movement.
The unity of colour goes hand in hand with the unity of material. The appeal of a monochrome painting lies entirely in the texture and the shades of a single colour. It also serves to highlight an idea rather than a motif.
Tickets dyed in nuances of lapis-lazuli blue are arranged in a strictly regular rhythm, like tiles or bricks on a wall, the magnetic strip being partly masked by elements in relief. The composition made of the addition of identical rectangles reveals the structural dynamism brought about by repetition, while the variations in tone evoke water and movement.